The Mark of Empire presented by Peter Lee | Season Two

 

Courtesy of Mediacorp. Photo: IFA Media

 
 
 

Singaporean curator and scholar, Peter Lee, once again seeks out epic legends and vibrant traditions of how four distinct peoples in East Asia made their mark in the region.

Over six weeks and covering 2,500km, Peter travels to South Korea, the birthplace of the Joseon dynasty and the longest reigning. In Japan, he discovers the mighty Tokugawa Shogunate and in Hokkaido, he goes in search of wild bears, home to the Ainu. Finally, to the southern Ryukyu Kingdom, home to enterprising merchants.

 
 

Watch the second season of The Mark of Empire

 
 

Warriors of Tokugawa
The Mysterious Shogunate That Ruled Japan For 265 Years

 

The Tokugawa shogunate, also known as the Edo shogunate, was the military government of Japan during the Edo period from 1603 to 1868. Japan was unified under the their rule, and they laid the foundations for modern Japanese culture.

Singaporean curator and scholar Peter Lee travels through Japan to chart this epic period in Japanese history, trying his hand at the ancient art of samurai swordsmanship, testing his skills at making fine porcelain, and getting behind the counter to make supersized sushi, the way it was before.

 
 
 
 

十鷹書画冊
Album of Hawks and Calligraphy
Kano Tsunenobu (Japanese, 1636–1713)
Edo period (1615–1868)
17th–18th century
Japan
Album of ten paintings; ink and color on silk
Each leaf: 10 3/4 × 9 7/16 in. (27.3 × 23.9 cm)
Overall with mounting (open): 16 1/4 in. × 27 in. × 2 7/16 in. (41.3 × 68.6 × 6.2 cm)
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Accession Number: 29.100.1398a–j
© The Metropolitan Museum of Art

 

Armor (Gusoku)
Helmet signed by Bamen Tomotsugu (Japanese, Echizen province, Toyohara, active 18th century)
18th century
Toyohara, Okinawa prefecture
Japanese, Toyohara, Echizen province
Iron, lacquer, copper-gold alloy (shakudō), silver, silk, horse hair, ivory
As mounted, H. 58 5/8 in. (148.8 cm); W. 18 3/4 in. (47.6 cm)
Gift of Etsuko O. Morris and John H. Morris Jr., in memory of Dr. Frederick M. Pedersen, 2001
Accession Number: 2001.642
© The Metropolitan Museum of Art

 
 
 

Joseon’s Defenders
How Did The Joseon Dynasty Reign In Korea For 500 Years?

 

Lasting over five centuries, the Joseon Dynasty was the Korean Peninsula’s longest reigning dynasty, and perhaps its most influential.

Singaporean Peter Lee embarks on an adventure across South Korea to learn how this modern nation was shaped by Joseon-era traditions and milestones. Along the way, he meets a fashion designer reviving traditional costumes for the social media generation, tests his Korean language skills in a classroom, and joins in on a pop band’s rehearsal that takes inspiration from Pansori, traditional musical storytelling.

 
 
 
 

Hawk at Sunrise
Attributed to Jeong Hong-Rae 정홍래 鄭弘來 (Korean, born 1720)
Joseon dynasty (1392–1910)
Second half 18th century–first half 19th century
Korea
Hanging scroll; ink and color on silk
Image: 44 1/2 × 23 1/2 in. (113 × 59.7 cm)
Purchase, Michael and Kathleen Linburn Gift, 2022
Accession Number: 2022.99
© The Metropolitan Museum of Art

 

자수 쌍호표 무늬 흉배 조선
刺繡雙虎豹文胸背 朝鮮
Rank badge with a pair of tiger-leopards
Joseon dynasty (1392–1910)
Early 19th century
Korea
Silk and metallic thread embroidery on silk satin damask
10 3/4 x 10 in. (27.3 x 25.4 cm)
Rogers Fund, 1951
Accession Number: 51.40
© The Metropolitan Museum of Art

Rank Badge
Joseon dynasty (1392–1910)
Korea
Silk
7 1/2 x 6 1/2 in. (19.1 x 16.5 cm)
Seymour Fund, 1953
Accession Number: 53.60.21
© The Metropolitan Museum of Art

 
 
 

Merchants of Ryuku
Japan’s Islanders Living In The Extreme South

 

Located to Japan’s extreme south, the Ryukyu Archipelago was the setting for the small but vibrant Ryukyu Kingdom that emerged 600 years ago.

Peter travels to its idyllic island settings to see how the Ryukyu identity is finding new meaning today as he visits a tattoo studio reviving an almost-lost traditional style, goes on a beachside horseback ride with the islands’ native horses, and tests his skills with a weapon through Kobudo martial arts.

 
 
 
 

Beauty Playing a Shamisen
Edo period (1615–1868)
Second quarter of the 17th century
Japan
Remounted section of a screen; ink and color on paper
Image: 24 7/16 x 29 1/8 in. (62.1 x 74 cm)
Overall with mounting: 66 3/4 x 29 15/16 in. (169.5 x 76 cm)
Overall with rollers: 66 3/4 x 32 3/8 in. (169.5 x 82.2 cm)
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Accession Number: 29.100.455
© The Metropolitan Museum of Art

 
 
 

Descendants of Ainu
Hokkaido's Near-Forgotten Ainu People,
Who Thrived In Nature

 

Japan’s northern island of Hokkaido is a must-see tourist destination for millions across the region, but not many know about its ancient inhabitants — the indigenous Ainu people.

Singaporean scholar Peter Lee travels to the land of the Ainu, with its scenic landscapes and abundant natural resources, to learn more about how this resourceful people survived and thrived off the land. Along the way, he meets Ainu artisans who make textiles out of treebark. He visits a traditional Ainu Kotan, or Ainu village, and goes on a hike in the majestic Shiretoko Peninsula, on the search for wild bears.

 
 
 
 

Robe
19th century
Japan (Ainu)
Cotton
H. including neckband: 47 3/8 in. (120.3 cm); W. 50 1/8 in. (127.3 cm)
Gift of John B. Elliott through the Mercer Trust, 1999
Accession Number: 1999.247.13
© The Metropolitan Museum of Art

Robe
19th century
Japan (Ainu)
Cotton
H. including neckband: 47 3/8 in. (120.3 cm); W. 50 1/8 in. (127.3 cm)
Gift of John B. Elliott through the Mercer Trust, 1999
Accession Number: 1999.247.13
© The Metropolitan Museum of Art

 
 
 
 

Peter Lee

Courtesy of Subject

Peter Lee is an independent researcher, and the Honorary Curator of the NUS Baba House — a historical house museum managed by the National University of Singapore. 

He co-authored The Straits Chinese House with Jennifer Chen, published by the National Museum of Singapore in 1998 and 2006. In 2008, he produced Junk to Jewels — The Things that Peranakans Value, an exhibition and catalogue for the Peranakan Museum. He co-curated Sarong Kebaya, which opened in April 2011 at the same museum and a book he wrote on the subject was published in 2014. In 2018 this book was shortlisted for the Singapore History Prize. The 2013 exhibition Inherited and Salvaged: Family Portraits from the NUS Museum Straits Chinese Collection was comprised largely of portrait paintings he had assembled. He also contributed an essay to the exhibition catalogue that was published in 2015. In 2016, he co-curated Singapore, Sarong Kebaya and Style at the Fukuoka Art Museum and the Shoto Museum in Tokyo. He was the guest curator of Port Cities: Multicultural Emporiums of Asia, 1500-1900 at ACM, which opened in November 2016, and co-authored its exhibition catalogue. In 2017, he was the historical consultant for a Peranakan-themed short film launched at the Singapore Changi Airport Terminal 4. Peter was also the guest curator of Amek Gambar: Peranakans and Photography, an exhibition held at the Peranakan Museum from 2018 to 2019. In 2020, The Mark of Empire, a four-part documentary in which he features as the series’ host, was broadcast regionally by Channel News Asia, Singapore, and uploaded on YouTube.